![]() (Glenn Gould, piano) (1955)Īnother interesting version of this is the one performed by Wilhelm Kempff removing all ornamentation. Bach: Goldberg Variations, BWV 988 – Variatio 6. The most obvious first arrangement is for the piano, which has a greater dynamic range than the plucked harpsichord. Bach: Goldberg Variations, BWV 988 – Aria (Christine Schornsheim, harpsichord)īut what if you don’t happen to have a harpsichord around? What then? Luckily, we found the Goldberg Variations in arrangements for any number of groups with any number of players. The Aria that all the Variations are based on has its own deliberate opening, with just the right amount of movement and just the right amount of lyricism to fade into the background as you fall into sleep. We were thinking that the Variations would be perfect for all our pandemic insomnia. Written, as related by Bach’s biographer Johann Forkel, for the ill and often sleepless Count Kaiserling, who wished for some night music that was both smooth and lively enough to engage his attention during his insomniac periods, Bach produced his variation set for the Count and it was published in 1741. ![]() © We were thinking about Bach’s Goldberg Variations the other evening.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |